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Fuchs Receives Ellis-Beauregard Foundation Composer Award

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Ellis-Beauregard Foundation Announces Kenneth Fuchs As Recipient of 3rd Annual Composer Award

Rockland, ME – The Ellis-Beauregard Foundation is pleased to announce Kenneth Fuchs is the recipient of its 3rd annual $20,000 Composer Award.  With the Award, Fuchs will create a new work to be performed in 2023 by the Bangor Symphony Orchestra. Fuchs, a Grammy Award-winning composer and professor of composition at the University of Connecticut, was selected through a juried national competition and chosen from over 225 applicants.

Fuchs says, “The Ellis-Beauregard Foundation’s support for my music touches me deeply. I admire the Foundation’s mission of promoting community engagement and inclusivity through musical expression and look forward to creating a meaningful work that exemplifies these values in collaboration with my colleagues of the Bangor Symphony Orchestra.”

The jury was comprised of composers Augusta Read Thomas and Adam Schoenberg, and conductor Mei-Ann Chen. Reflecting on the jury’s decision, Thomas said, “Kenneth Fuchs has an exceptional ear for pitch, harmony, rhythm, and timbre which, allied to his vivid and flexible imagination, results in lyrical, elegant, compelling, and personal compositions.” Schoenberg echoed Thomas’s thoughts: “Kenneth is a gifted composer who writes deeply personal and expressive works. His level of craftsmanship, meticulously detailed scores, and gorgeous orchestrations made his music stand out.” Looking ahead to the premiere, Chen noted, “Captivating and engaging, Mr. Fuchs’ music will be an exciting culmination of the wonderful Ellis-Beauregard Foundation Composer Award and a highly anticipated spotlight in the Bangor Symphony’s next season!”

The Ellis-Beauregard Foundation Composer Award has seen nearly 900 submissions over the course of its first three application cycles. In October, the Bangor Symphony Orchestra premiered inaugural award recipient Reinaldo Moya’s Concerto for Piano, Strings, and Percussion with Joyce Yang as soloist. The Orchestra is slated to premiere Jessica Meyer’s The Air of New Places on March 6th, 2022; Meyer was the 2nd annual award recipient.

Composer Augusta Read Thomas went on to say, “The Ellis Beauregard Foundation Composer Award in partnership with the Bangor Symphony and Lucas Richman offers a tour-de-force musical opportunity that allows a fortunate composer and performing artists to do the important work of collaborating together to further music’s flexible, diverse capacity and innate power.”

The Foundation intends to announce details of the 2022 application cycle in May.

About Kenneth Fuchs

Kenneth Fuchs has recorded for Naxos five albums with the London Symphony Orchestra conducted by JoAnn Falletta; the latest won the 2018 GRAMMY® Award for “Best Classical Compendium.” He has composed music for orchestra, band, voice, chorus, soloists, and various chamber ensembles. With Pulitzer Prize-winning playwright Lanford Wilson, Fuchs created three chamber musicals. The National September 11 Memorial & Museum presented Fuchs’s operatic monodrama Falling Man (text by Don DeLillo, adapted by J. D. McClatchy) in commemoration of the 15th anniversary of 9/11. His music has achieved significant global recognition through performances, media exposure, and digital streaming and downloading.

In August 2020, Naxos released Point of Tranquility (Seven Works for Symphonic Winds), recorded by the United States Coast Guard Band. Naxos also published an album of chamber music including Falling Canons, Falling Trio and String Quartet No. 5 “American.” Albany Records published String Quartets 2, 3, 4 in definitive performances by the American String Quartet.

Fuchs serves as Professor of Music Composition at the University of Connecticut. He is a graduate of the University of Miami and received master of music and doctor of musical arts degrees from The Juilliard School. His composition teachers include Milton Babbitt, David Diamond, and Vincent Persichetti. His music is published by Bill Holab Music, Hal Leonard LLC, Edward B. Marks Music Company, and Theodore Presser Company, and it has been recorded by Albany and Naxos Records.

About the Ellis-Beauregard Foundation

The Ellis-Beauregard Foundation provides resources for artists, engages with community and promotes the legacy of its founding artists, Joan Beauregard and John David Ellis. The vision of the Foundation is to encourage, expand and sustain the courageous and imaginative dialogue that is fundamental to the arts. The Ellis-Beauregard Foundation celebrates the value of art to transcend cultures and engage with diverse communities. Through its programs, the Ellis-Beauregard Foundation supports the exploration of the common ground that art occupies, the way it engages people, and its ability to reveal our shared human experience.

About the Bangor Symphony Orchestra

Founded in 1896, the Bangor Symphony Orchestra’s mission is to provide powerful, enriching and diverse musical experiences through live concert performances and education programs of the highest quality. Led by Grammy Award-winning Music Director and Conductor Lucas Richman, the BSO today performs a robust mainstage season and offers a variety of educational and community-focused programs, including the Bangor Symphony Youth Orchestras and a Music & Wellness Program. The BSO is a founding member of the Bangor Arts Exchange in downtown Bangor. Current concert and streaming details can be found at bangorsymphony.org.

New Bunch work about the Japanese Internment Camps

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America’s great reckonings continue. The late-blooming LGBTQ activist and Trekkie icon George Takei (a/k/a Ikaru Sulu, helmsman of the USS Enterprise) bears witness to a legacy of national shame in Lost History: A Memory, drawn from his personal recollections as a Japanese-American “enemy alien” in World War II under Executive Order 9066. Though Takei’s family was held in Arkansas and California, the theme has local resonance: the Department of Justice ran a detention camp for designated Japanese-American “troublemakers” at Dalton Wells, 14 miles outside Moab. The narrative coexists with a commissioned score by Kenji Bunch, one of three Japanese-American composers on the program. The festival’s longstanding sales pitch “music in concert with the landscape” hereby takes on a whole new meaning. —M.G.

George Takei will narrate the work at its premiere performance at Moab. For further information, visit the Moab website.

The Takei family. Courtesy of Moab Music Festival.

Boyer Fanfare for Tomorrow at Biden/Harris’ inauguration

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Fanfare for Tomorrow, was performed as part of the one-hour Prelude music of the Inauguration ceremony, conducted by the Marine Band’s Director, Colonel Jason K. Fettig.

“The President’s Own” United States Marine Band, America’s oldest continuously active musical organization, is believed to have made its inaugural debut in 1801 for Thomas Jefferson, the first President to be inaugurated in Washington, D.C., and to have performed at all subsequent Inaugurations. Since premiering Boyer’s work Fanfare, Hymn and Finale in 2018, commissioned to celebrate the Marine Band’s 220th anniversary, this superb ensemble has performed my music nearly 25 times, including on their 2018 and 2019 tours.

Fanfare for Tomorrow began as a brief piece for solo French horn, originally commissioned by the Cincinnati Symphony and Pops Orchestra last year, as part of their Fanfare Project in response to the pandemic. Boyer significantly expanded and developed that music for a full concert band for this commission (with an orchestra version to follow).

Read the NY Times article about the inaugural program.

The score and parts to Fanfare for Tomorrow are available for purchase here.

There is also an orchestra version, which is available on rental.

The Scarlet Ibis

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The Scarlet Ibis is an opera that fuses singers, puppetry and multimedia stagecraft to tell the story of Doodle, a remarkable, disabled boy whose older brother pushes him to be “normal.” Set in rural North Carolina a century ago, the story contrasts notions of physical wholeness versus mystical otherness. Episodic and expressionistic, the narrative draws on elements of Southern Gothic, boy’s adventure and domestic tragedy. It unfolds in thirteen scenes, from Doodle’s traumatic birth to his tragic end. Ingenious set and puppet effects take us to various locations: a house, barn, field and swamp.

The cast includes mezzo-soprano Hai-Ting Chinn, countertenor Eric S. Brenner, mezzo-soprano Abigail Fischer, baritone Keith Phares and contralto Nicole Mitchell. The Scarlet Ibis is for adults and teens.

Music by Stefan Weisman, libretto by David Cote
premiered at the 2015 PROTOTYPE Festival
A co-production between Beth Morrison Projects & HERE
Produced in association with American Opera Projects

The piano/vocal score is available for purchase here.

To request a quote for performance of the work, please click here.

Fung HUMANOID

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for solo Violoncello and Electronics

These are the files for the electronic part, which can be used for practice and performance.

Fung_HUMANOID-click-track.mp3 (Audio file with clicktrack (for practice purposes))

Fung_HUMANOID-click-track–Loud.mp3 (Audio file with louder clicktrack (for practice purposes))

Fung_HUMANOID-electronics.aif (Audio file (high resolution, for performance))

HumanoidDownload

TECH RIDER:

Fung_HUMANOID_tech_riderDownload

Danielpour Clarinet Concerto

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Michael Stern, Anthony McGill, Richard Danielpour

Looking for something new to listen to during the pandemic? The Kansas City Symphony has posted a wonderful recording of Richard Danielpour’s Concerto for Clarinet (from the mountaintop) with soloist Anthony McGill. McGill is currently Principle Clarinet with the New York Philharmonic.

Music for Our Time

Scroll down to “Voices of Justice” to hear an interview with McGill, followed by the performance.

This work joins several that were written for McGill by Bill Holab Music composers, including Joel Puckett’s Concerto Duo, a double concerto for flute, clarinet and orchestra which was written for McGill to perform with his brother DeMarre, Principal Flute of the Seattle Symphony.