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Bill

Kahane’s GABRIEL’S GUIDE TO THE 48 STATES

April 21, 2013 by Bill

Commissioned by the Orpheus Chamber Orchestra for their 40th anniversary, Gabriel’s Guide to the 48 States is a tribute to the New Deal’s W.P.A. project. Compiled from text in the American Guide series, a collection of guidebooks that were commissioned to provide employment for writers during the depression, they provide a fascinating picture of America by some of its best writers. Scored for baritone and chamber orchestra (Flute/Piccolo, Oboe/English Horn, 2 Clarinets/Bass Clarinet, 2 Bassoons, 2 Horns, Trumpet, Trombone, Percussion, Electric Guitar/Banjo Strings) the work is 45 minutes long. The text is compiled from the American Guide Series and the Sacred Harp hymn “Marlborough.” The world premiere performance was given at Dartmouth College on April 19, 2013. Orpheus will give the New York premiere on April 27 2013 at Carnegie Hall.

 

 

Filed Under: Gabriel Kahane, HomePage

Roven’s WILD NIGHTS to premiere at Carnegie Hall

March 18, 2013 by Bill

Famed Metropolitan Opera mezzo Isabel Leonard will give the world premiere of Glen Roven’s “Wild Nights” from his song collection, Poetic License on Tuesday, April 9 at Carnegie’s Zankel Hall. There are still some tickets left, click here to visit the Carnegie Hall site.

Filed Under: Glen Roven Tagged With: song

Borzova THE WEDDING GIFT OF PIRATE GRANNY

March 3, 2013 by Bill

Hartford Opera Theatre’s production of the new chamber opera by Alla Borzova with librettist David Johnston.

Filed Under: Alla Borzova Tagged With: opera

Lone Star Wind Orchestra Performing “Tempus Fugit”

February 12, 2013 by Bill

The Lone Star Wind Orchestra performing McTee’s “Tempus Fugit” from Double Play, December 2013.

Filed Under: Cindy McTee Tagged With: Band, Wind Ensemble

PAUL BRANTLEY to present a CONCERT SPIRITUEL on the CONCERTS IN THE HEIGHTS series.

January 24, 2013 by Bill

On March 21st, at eight p.m., composer and cellist Paul Brantley will be joined by mezzo-soprano, Janna Baty; flutist, Marya Martin; and pianist, Pedja Muzijevic, in a program of vocal and chamber pieces by Brantley, Mozart and Ravel.

This concert is modeled after the 18th century Parisian, “Concerts Spirituels”, which were designed to uplift and edify the public with “spiritual” music.

The program will include Mozart’s Violin Sonata in e minor — here in Brantley’s adaptation for cello and piano; Ravel’s Chansons madécasses performed by the entire ensemble; and as a companion piece the premiere of Brantley’s Sigewif — which sets an 9th century Anglo Saxon “Charm: for a swarm of bees” (in the original Anglo Saxon), as well as “Brünhilde’s Peroration”, a setting of Wagner’s unused ‘Schopenhauer ending’ to the Ring Cycle — both about archetypal “warrior women”. The program will close with Brantley’s Swevens Sonata for flute and piano, which was commissioned and premiered by Marya Martin at the Bridgehampton Festival this past summer.

Thursday, March 21st at 8pm

Fort Washington Collegiate Church,
729 W. 181st, NYC

$12 general/$7 students/seniors

http://www.concertsintheheights.org

Filed Under: Paul Brantley

New Carnegie Hall Commission for David Bruce

January 22, 2013 by Bill

Fresh from her title role in John Adam’s The Gospel According to the Other Mary, the wonderful mezzo-soprano Kelley O’Connor will premiere a new work David Bruce is writing for her as part of a US tour with soprano Jessica Rivera in October 2013. The new work, provisionally titled That Time with You, is a further collaboration with Glyn Maxwell, though here in rather darker and more sombre mode, with poignant lyrics reflecting on death and loss. Bruce continues his long relationship with Carnegie Hall, who has co-commissioned this work with Kelley O’Connor.

Filed Under: David Bruce

David Bruce appointed Associate Composer to the San Diego Symphony

January 22, 2013 by Bill

David Bruce has been appointed Associate Composer to the San Diego Symphony for the 2013/14 season. He will be writing three pieces for them, including a new work for the orchestra’s Carnegie Hall debut in October 2013, and a new violin concerto for autumn 2014 (with an amazing soloist, details are hush-hush, unfortunately). To kick off the association Bruce will be writing a chamber piece for mandonlist Avi Avital and we’ll be premiering the new work in May this year (details here). You can read an interview Avi gave to San Diego Jewish Journal talking about the collaboration here [PDF]

Filed Under: David Bruce

Bruce: The Firework Maker’s Daughter US/UK Tour

January 22, 2013 by Bill

Tickets for David Bruce’s chamber opera The Firework Maker’s Daughter are now on sale. The opera comes to the Lindbury Studios of the Royal Opera House, London from 3-13 April; and to the New Victory Theatre, New York from 3-12 May, as well as a substantial UK tour with performances in Hull, Huddersfield, Watford, Bury St Edmunds, Buxton, Oxford and Newcastle.

The opera is a retelling of Philip Pullman’ s fabulous and colourful story featuring the spirited young girl who risks everything to follow her true path in life.  Like Pullman’s work, I like to think it’s “suitable for young and old.”

The libretto is by Glyn Maxwell (whose book On Poetry is really worth checking out.)  Director John Fulljames and designer Dick Bird take the helm, along with shadow-puppeteers Indefinite Articles; and in the pit, two old favourites – Chroma in the UK and Metropolis Ensemble in New York. A great cast of Mary Bevan, Jamie Laing, Andrew Slater, Amar Muchhala and Wyn Pencarreg make this a show not to miss.

Tickets on sale now. Links below

Hull Truck
23th – 26th March
Lawrence Batley Theatre, Huddersfield
30th March
Linbury Studio Theatre, Royal Opera House
3th – 13th April
New Victory Theatre, New York
2nd – 12th May
Watford Palace Theatre
17th & 18th May
Theatre Royal, Bury St Edmund’s
21st & 22nd May
Buxton Opera House
24th & 25th May
Oxford Playhouse
28th & 29th May
Northern Stage, Newcastle
31st May & 1st June

Filed Under: David Bruce Tagged With: opera

Heggie and Scheer’s Moby-Dick: A Grand Opera for the Twenty-first Century

January 11, 2013 by Bill

Jake Heggie and Gene Scheer’s grand opera Moby-Dick was a stunning success in the world premiere production by the Dallas Opera in 2010. Robert K. Wallace attended the final performance of the Dallas production and has written this book so readers can experience the process by which this contemporary masterpiece was created and performed on stage. Interviews with the creative team and draft revisions of the libretto and score show the opera in the process of being born. Interviews with the principal singers and the production staff follow the five-week rehearsal period into the world premiere production, each step of the way illustrated by more than two hundred color photographs by Karen Almond.

Opera fans, lovers of Moby-Dick, and students of American and global culture will welcome this book as a highly readable and visually enthralling account of the creation of a remarkable new opera that does full justice to its celebrated literary source. Just as Heggie and Scheer’s opera is enjoyed by operagoers with no direct knowledge of Moby-Dick, so will this book be enjoyed by opera fans unaware of Melville and by Melville fans unaware of opera.

Filed Under: Jake Heggie Tagged With: opera

UBC Wind Ensemble performs Bates’ MOTHERSHIP

December 26, 2012 by Bill

The University of British Columbia performed Mothership in the wind ensemble version, conducted by Robert Taylor, with solos for clarinet, ukulele, violin and cello.

Filed Under: Mason Bates Tagged With: Band, Wind Ensemble

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