California Symphony’s Young American Composer-in-Residence, D.J. Sparr, will debut his new work Violet Bond: Concert-Overture for Electric Guitar and Orchestra this May. His tenure as Composer-in-Residence was recently extended to three years because of his inspired commitment to the post. Walter Collins, Executive Director of the CA Symphony, says, “D.J. Sparr’s artistic vision for the position, his commitment to the California Symphony’s mission, and his dedication to educational outreach made the choice to extend his residency an easy one. It is rare to find a composer willing to balance the demands of first-rank composition with dedicated community outreach on behalf of an orchestra. We’re honored to have D.J. as our Young American Composer in Residency for three years.”
Robert Treviño will lead the California Symphony for three concerts on May 3 at the Bankhead Theatre in Livermore and on May 4-5 at the Lesher Center for the Arts in Walnut Creek. This program features Berlioz’s powerful Symphonie fantastique, Beethoven’s Violin Concerto performed by the violin virtuoso Caroline Goulding, and the world premiere of Sparr’s Violet Bond: Concert-Overture.
This debut work pays homage to the memory of Sparr’s great-grandmother, Violet Bond. Nanny, as her family called her, was a staid music lover and would draw family members around her piano as she led the group in hymns. Sparr also remembers watching He-Haw with Nanny at her home and attempting to imitate Roy Clark and Buck Owens guitar playing with a broom. Perhaps she just wanted her broom back, but for Sparr’s fourth birthday Violet gave him a ukulele, thereby inspiring his tremendous career as an electric guitarist and composer.
Sparr says of his work, “The composition of this piece is not directly related to any of these memories and does not tell a story in a linear fashion. It is more the “feeling” of all of this which inspired me to create (hopefully) the most beautiful electric guitar concerto yet written.” Sparr emphasizes the pure natural sonic qualities of the electric guitar, rather than its potential for distortion. As he puts it, “I don’t think Nanny would enjoy the idea of me on stage with a heavy-metal guitar blasting everyone’s ears off!”
This work integrates the inherent improvisational aspect of the electric guitar with musical play between guitar and orchestra. Using a “loop effect,” Sparr assigns an orchestral role to the electric guitar while playing over the “loop” and highlighting the solo melody.
An accomplished composer and electric guitarist, D.J. Sparr has caught the attention of critics with his eclectic style. San Jose Mercury News described his music as “pop-Romantic…iridescent and wondrous” and The New York Times said it “suits the boundary erasing spirit of today’s new-music world.” The Los Angeles Times praises him as “an excellent soloist” and the Santa Cruz Sentinel says that he “wowed an enthusiastic audience…Sparr’s guitar sang in a near-human voice.” Sparr currently holds the Young American Composer-in-Residence position with the California Symphony, an acclaimed program that has seen the likes of Mason Bates and Pulitzer prize winner Kevin Puts. During this tenure, Sparr’s works have been conducted by Nicholas McGegan and Donato Cabrera, among others. Sparr has also had recent world premieres performed by the Dayton Philharmonic, Richmond Symphony, Eighth Blackbird, and the Hexnut Ensemble.
This Summer, Centaur Records is releasing a CD of Sparr’s chamber music, entitled 21207 which was supported by a grant from New Music USA’s CAP Recording Program and in June, the Washington National Opera will premiere Sparr’s “Approaching Ali,” commissioned on behalf of their American Opera Initiative, based on the acclaimed novel “The Tao of Muhammad Ali” by Davis Miller.
Sparr was awarded the $10,000 grand prize in the orchestra category of the BMG/Williams College National Young Composers Competition and has received awards and recognition from BMI, the American Music Center, Eastman School of Music, George Washington University, the League of Composers/ISCM, and the Pittsburgh New Music Ensemble. A fast rising star, D.J. Sparr’s musical vision is bound to catapult him to the realm of indispensable American composers.
This season, the California Symphony is trying on seven different guest conductors. Ninety candidates applied for the maestro’s job, says symphony Executive Director Walter Collins. After an extensive interview process, seven finalists were selected to design a concert, work with musicians and perform for symphony audiences. Robert Treviño is the final guest conductor during this 2012-2013 season, aptly entitled “The Search is On.” Other music director candidates performing this past season have been Robert Moody, David Commanday, Michael Butterman, Sean Newhouse, Alastair Willis and Donato Cabrera. Audiences, including those at the upcoming concerts in Livermore and Walnut Creek, are invited to participate in choosing the symphony’s next permanent music director by filling out a survey on the Symphony’s website. The symphony’s board of directors will make the final decision later this spring.
Famed Metropolitan Opera mezzo Isabel Leonard will give the world premiere of Glen Roven’s “Wild Nights” from his song collection,
On March 21st, at eight p.m., composer and cellist Paul Brantley will be joined by mezzo-soprano, Janna Baty; flutist, Marya Martin; and pianist, Pedja Muzijevic, in a program of vocal and chamber pieces by Brantley, Mozart and Ravel.
The program will include Mozart’s Violin Sonata in e minor — here in Brantley’s adaptation for cello and piano; Ravel’s Chansons madécasses performed by the entire ensemble; and as a companion piece the premiere of Brantley’s Sigewif — which sets an 9th century Anglo Saxon “Charm: for a swarm of bees” (in the original Anglo Saxon), as well as “Brünhilde’s Peroration”, a setting of Wagner’s unused ‘Schopenhauer ending’ to the Ring Cycle — both about archetypal “warrior women”. The program will close with Brantley’s Swevens Sonata for flute and piano, which was commissioned and premiered by Marya Martin at the Bridgehampton Festival this past summer.
Fresh from her title role in John Adam’s The Gospel According to the Other Mary, the wonderful mezzo-soprano 
David Bruce has been appointed Associate Composer to the San Diego Symphony for the 2013/14 season. He will be writing three pieces for them, including a new work for the orchestra’s Carnegie Hall debut in October 2013, and a new violin concerto for autumn 2014 (with an amazing soloist, details are hush-hush, unfortunately). To kick off the association Bruce will be writing a chamber piece for mandonlist Avi Avital and we’ll be premiering the new work in May this year (
