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As One Celebrates 10 Years!
The history-making chamber opera about a transgender person’s experiences is one of the most produced contemporary operas in the world. American Opera Projects (AOP) is proud to celebrate the tenth anniversary of the premiere of As One, the chamber opera that the esteemed company commissioned and premiered at the Brooklyn Academy of Music on September…
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Minnesota Opera, “Sleep Chorus” from Silent Night
During these difficult times when most performance venues are dark, virtual performances are trying to bridge the gap in our need for culture and connection. Minnesota Opera’s wonderful chorus has done a video performance of the “Sleep Chorus” from Puts’ and Cambell’s Silent Night.
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AS ONE most-produced opera in North America by a living composer
Opera America has posted a list of the top 25 operas performed in North America. Number 14 on the list is As One, (Kaminsky, Campbell, Reed) making it the top opera performed in 2016/17 by living writers. Dead Man Walking (Heggie, McNally) comes in as number 23. Congratulations to Laura Kaminsky, Mark Campbell, Kimberly Reed,…
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Some Light Emerges premieres at Houston Grand Opera
The team that created the stunning new opera As One has reunited to create Some Light Emerges for Houston Grand Opera’s HGOCo. Premiering in March 2017, the opera celebrates the unique and enduring impact of Houston’s Rothko Chapel, which was created by painter Mark Rothko. A stunning octagonal structure that serves as a non-denominational chapel,…
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Austin Opera’s Manchurian Candidate
In this highly charged election season, Austin Opera performs Kevin Puts’ and Mark Campbell’s The Manchurian Candidate. Originally premiered by the Minnesota Opera, the opera is part thriller, part satire, and is based on Richard Condon’s novel. Don’t miss the chance to see this second opera by the team that created the Pulitzer-winning opera, Silent…
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Paterson/Campbell’s THE WHOLE TRUTH
The Whole Truth, a new one-act opera by composer Robert Paterson and librettist Mark Campbell, was premiered in January as part of the exciting wave of new operas that overwhelmed New York City. A sold-out success that garnered uniform praise, it was paired with Stewart Copeland’s one-act opera, The Cask of Amontillado. The Whole Truth is…
