With music and concept by Laura Kaminsky, libretto by Mark Campbell and Kimberly Reed, the opera As One was given its premiere by American Opera Projects at the BAM Fisher Theater in September of 2014. The production featured a film by Kimberly Reed, and was universally praised for its honesty and originality.
A rich addition to the repertoire … formidable on all fronts … As One is everything that we hope for in contemporary opera: topical, poignant, daring, and beautifully written.” – New York Classical Review
“Artistically distinguished, socially important … says so much with relatively modest means.” – WQXR
As One, … satisfies in an entertaining and delicately moving way.” – New York Observer
A piece that haunts and challenges its audience with questions about identity, authenticity, compassion and the human desire for self-love and peace.” – Opera News
As One forces you to think, simultaneously challenging preconceptions and inspiring empathy…[with] winning humor and a satisfying emotional arc.” – The New York Times
World Premiere: American Opera Projects; Brooklyn Academy of Music, Sept. 2014
Caine College of the Arts, Utah State University, April 2015
West Edge Opera, Oakland Metro Opera House, July-August 2015
UrbanArias, Atlas Center for the Performing Arts, October 2015
International Opera Projects, Ballsaal Studio, Berlin Germany, July 2016
Seattle Opera, November 2016
Pittsburgh Opera, February 2017
Opera Colorado, March 2017
Long Beach Opera, May 2017
New Orleans Opera, June 2017
San Diego Opera, Nov. 2017
Chicago Fringe Opera, Nov. 2017
Des Moines Metro Opera, Nov. 2017
Lyric Opera of Kansas City, January 2018
Boston Opera Collaborative, January 2018
Hawaii Opera Theatre, January 2018
Anchorage Opera, February 2018
Skylark Opera Theater, March 2018
AEPEX Contemporary Performance, April 2018
Opera on the Avalon, May-June 2018
Cincinnati Opera, July 2018
Chautauqua Opera, August 2018
Peabody Opera, Nov. 2018
Alamo City Opera, Jan. 2019
Portland Opera, March 2019
Opera Idaho, May 2019
Eugene Opera, May 2019
Merkin Concert Hall/American Opera Projects/New York City Opera, May/June 2019
Opera Memphis, August 2019
Bay Chamber Concerts, August 2019
Boston University, October 2019
Alchemical Studios (NYC), November 2019
Opera Columbus, November 2019
Pensacola Opera, November 2019
EarSpace, Feb. 2020
Gertrude Opera (Australia), Feb. 2020
Shenandoah Conservatory, April 2020
University of South Carolina, April 2020
Teatro Espanol, Madrid, Sept.-Oct. 2020
Utomjordiska, October 2020
Orchestre Classique de Montreal, November 2020
Servicios Especializados en Distribucion Artistica, Madrid, March 2021
University of Kansas, April 2021
Opera Orlando, May 2021
Painted Sky Opera, May 2021
Opera Maine, July 2021
Lontano Trust, London Premiere, Sept. 2021
Sacramento State School of Music, Nov. 2021
Lowell Chamber Orchestra, Nov. 2021
Opera Santa Barbara, March 2022
Universidad de los Andes, March-April 2022
Atlanta Opera, June 2022
Hawaii Performing Arts Festival, July 2022
Satakunnan musiikkijuhlat (Finland), August 2022
Opera Steamboat (CO), September, 2022
Lyric Opera of the North (MN), October 2022
Boston Conservatory at Berklee, February 2023
Florida State Opera, May 2023
Holy City Arts & Lyric Opera, June 2023
Washburn University, October 2023
Theater Regensburg, December 2023-March 2024
Kentucky Opera, April 2024
NUOVA Vocal Arts, June 2024
HOPERA, November 2024
Press
Denver Post, 2/25/2017
“As One” is the hottest title in opera right now, at least among the titles written in the last 100 years. The musical tale of a transgender woman’s personal evolution is somehow right on time–an accomplished bit of art-making, with considerable entertainment value, that thrusts itself smack into the current political and social discourse.
It’s in Denver this week week. Pittsburgh last. Seattle produced it in November and folks in New Orleans and Los Angeles get to hear it this spring. The chamber piece, which premiered at the Brooklyn Academy of Music in late 2014, has a rare vitality in a business where new works–including the good ones–have to fight for even a second show.
Opera companies love it. One reason is that it’s relatively inexpensive to present: no chorus, orchestra or big sets. Composer Laura Kaminsky’s creation has just two singers, a string quartet and a couple of temporary screens that show films in the background.
But that’s why audiences seem to like it, too. It’s intimate. All the complaints so frequently lodged against the art form–that it can be distant, formal and out-of-touch, aren’t a factor for “As One.” Nor is length; it clocks in at just 75 minutes.
December 19, 2014 – Excellence in Opera (“Freddie”) Award Operavore
December 18, 2014 – Slate The Uses of “Trans” in Art
October 2, 2014 – GAY CITY NEWS Opera review: “New Starts”
September 11, 2014 – OUT MAGAZINE Opera review: “A Transgender Woman’s Operatic Path to Self-Acceptance”
September 10, 2014 – NY OBSERVER Opera review: “An Emotional Before-and-After Opera of Gender Transformation Premieres at BAM”
September 9, 2014 – Q ON STAGE Opera review: “Magnificent ‘As One'”
September 9, 2014 – THE FILM EXPERIENCE Opera review: “Stage Door: ‘As One’ by Kimberly Reed”
September 2014 – OPERA NEWS Opera review: “As One BROOKLYN American Opera Projects”
September 5, 2014 – THE NEW YORK TIMES Opera review: “The Arc of a Transgender Life”
September 5, 2014 – NEW YORK CLASSICAL REVIEW Opera review: “Kaminsky’s transgender opera “As One” makes a poignant and remarkable premiere”
September 5, 2014 – WQXR: OPERAVORE Opera review: “Opera As One Explores Gender Change, Identity Struggles”
September 5, 2014 – PARTERRE.COM Opera review: “outskirts”
September 4, 2014 – WWFM: CADENZA Opera profile: “As One”
September 4, 2014 – HUFFINGTON POST Opera profile: “‘As One’ Opera Brings Husband And Wife Stars Together For Heartfelt Transgender Role”
September 3, 2014 – GAY CITY NEWS Opera profile: “The Voyage to Oneness”
September 2, 2014 – BK LIVE Opera profile: Video Interview: “As One”
September 2, 2014 – BROOKLYN DAILY Opera profile: “Husband and wife share role of transgender woman in new opera”
September 2014 – OPERA NEWS Composer/Opera profile: “Hearing Both Sides”
